10 FREE DRUM FILL IDEAS
10 FREE DRUM FILL IDEAS by DK DRUMS!! Videos and transcriptions here!
Below each video demonstration is the correlating transcription. ENJOY DRUM FRIENDS!!
Hey guys, Dan from DK DRUMS here. Here is the first of 10 short drum fill ideas. This first fill incorporates double kick. It’s one of the first double kick fills I learnt. I loved it as it sounds intense once you get it up to speed. I’m playing straight 16th notes and the pattern I’m playing in this particular fill is: 4 HANDS 2 FEET: 4 HANDS 2 FEET : 2 HANDS 2 FEET.
So there’s a total of 16 hits. I see it as groupings of 6,6 and 4. This is one of the better double kick grouping fills to learn as there are only 2 kicks in a row at any given time meaning your left and right foot only play single strokes throughout the fill. Once you master this fill you can play around with different groupings and try adding 4 feet to the fill too!!
This is a cool fill I have been playing around with. The idea behind it is you play straight 16th notes but group them into 3’s. So RLK RLK RLK RLK R The last right can be a flame or a left and it ends on the 4 of the bar if you start the fill on 1. In this video I start the fill on 1 and end on 4.
I simply play this sticking between the Hi Hat and the Floor Tom and alternate my hands each rotation through the RLK lick. The trick is to make sure you play is straight, as the lick is in groups of 3 it is easy to fall into the trap of swinging this fill. Keep it straight and count 1e+a 2e+a 3e+a 4 if needed.
Transcription below :
This is a fill I have been playing around with a lot of late. Simple paradiddle sticking. RLRR LRLL I put a kick on the first R and the last R. Sounds awesome when fast. Left hand does not leave the snare in this example. The RIGHT hand does all of the moving around the kit. Start slow and speed up. Very cool fill when played fast a clean!
Also try to accent (rim shot) the L snare on 2 and 4.
ENJOY!!
Transcription:
Email : dan@dkdrums.com
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CLICK IMAGE BELOW TO INCREASE SIZE
*PLAY AS STRAIGHT 16th NOTES
*1 BAR VERSION (variations can be longer or shorter)
*FILL STARTS ON THE 1
This fill sounds very different to most fills I play. The groupings are odd. Much like the 2 bar linear fill we looked at in my previous video (FILL IDEAS : 4 OF 10).
I see this fill as a group of 7 16th notes (3 hands, one foot, 2 hands, one foot). This lick then repeats totalling 14 16th note hits. The i add 2 more 16th note hits to fill out the bar. I start this fill on the 1 of the bar and it takes one whole bar (If you play the notes as 16th notes). You can of course get creative and start this fill in different spots of the bar.
Start with this lick, there are only single kicks in there so it isn’t too demanding on your feet. I am playing this lick at 180bpm in the clip. See how you go. I hope you enjoy this fill idea as much as I do. My students have been loving playing around with these odd groupings!
Transcription below!
This is a simple lick RLKK. The KK are both RIGHT foot hits. In the clip I am playing RLKK as 16th notes. The lick can be used as a lick in a groove or as a part of a fill. I also enjoy using this great lick as a lead into a fill. For example placing it on the 4, so you are playing RLKK on 4e+a.
It’s also a great exercise to work on your doubles on your right foot. The faster the tempo, the faster the lick. You are only playing singles strokes with your hands so the part that will slow you down is your right foot. A great exercise to play around with. Sounds awesome when it is tight and rather quick. This clip is recorded at 180bpm and it sounds pretty quick. Give it a shot with a metronome!!! ENJOY!!
Here we have the simple sticking of RLK played as triplets. This is the triplet version of ‘FILL IDEA 2 OF 10′ which also had the RLK sticking but was played as straight 16th notes. This triplet version will most likely be easier to play as the 3 grouping feels more natural played as a triplet. Like 2 OF 10 I am using this RLK sticking and moving my hands between the Hi Hat and Floor tom. This makes it a little more tricky. It creates it’s own sounding odd pattern and visually looks cool. Start with your RIGHT hand on the floor and LEFT hand on the Hi Hat, then the next rotation though the lick swap so your RIGHT hand is then on the Hi Hat and LEFT hand is on the floor.
The easiest way to learn this is to check out the transcription which is here :
Here is a grouping of 16th notes which I use often in many different variations around the kit. Think of this grouping as 3 groups of 5 hits. In the video I play a kick on the last hit of each group. The final group of 5 (4e+a 1) ends on the 1 of the next bar, so placing a kick on that 5th hit works well leading back into the next bar. Easiest way to learn this fill is to check out the transcription here :
Here is a great fill by the man himself Travis Barker. This fill is taken from the Blink 182 song ‘Down’ which is from their Self Titled album 2004. This fill happens at the end of the first chorus leading back into the intro groove. The fill always stood out to me a tasteful fill which was well crafted for the song. The lesson i learnt from this particular fill was Travis did not place a kick on the catch of the cymbal. I usually place a kick on my cymbal catches. He places a kick a 16th note before the catch and then another 16th not kick immediately after the catch. That’s the lesson
I’m hitting the crash cymbal on the catch with my RIGHT hand and catching it with my LEFT. You can catch the cymbal with your RIGHT but i think it’s a lot cleaner when done with your LEFT. The 16th note kick by itself before the cymbal catach gives you time to get your LEFT hand up to the crash easily and then the 16th note kick after the catch gives you time to get you hands back to the drums from the catch. That’s another lessons right there. Travis is king!!
This is a cool idea I took from Dennis Chambers years ago. It’s played as triplets and the whole idea behind it is that your wands are moving around the kit in different directions crossing when they meet. My RIGHT hand goes over the top of my LEFT. Playing triplets fits this pattern well as there are 6 hits in the lick to complete it. My RIGHT hand is moving anti-clockwise and my left moving Clockwise.
My LEFT hand starts on the mounted tom and my RIGHT hand starts on the snare. Easiest way to understand this lick is to check the transcription here :
For drum lessons in Melbourne and Ballarat contact me here : dan@dkdrums.com
www.dkdrums.com